Music business · Global
Catalogue Management for Artists: Organise Music for the Long Term
A durable catalogue system turns scattered release files into a usable business record.
Build one record per asset
Create a record for every recording and composition, linking final files, identifiers, contributors, ownership notes, agreements and delivery history. Use consistent filenames and keep a read-only archive of final assets.
Do not put sensitive personal documents into a folder shared broadly with collaborators. Access management is part of responsible catalogue administration.
Make reporting reviewable
Store statements by period and counterparty. Track what each report covers, its currency and any known adjustments. This helps you ask focused questions rather than relying on memory when a catalogue changes hands or a claim appears.
A spreadsheet can be enough for a small catalogue if it is maintained carefully. The tool matters less than complete, consistent information.
Review after material changes
Update records after a new version, ownership transfer, name change, dispute resolution or administration appointment. Keep an audit trail instead of overwriting important historical facts.
Good catalogue hygiene supports better distribution and publishing decisions, but it does not replace contracts or specialist advice.
Put this into practice
Explore the DroomMusic service relevant to this guide and choose a next step that fits your catalogue.
Explore DroomMusicSources and further reading
Frequently asked questions
What is the minimum catalogue data to keep?
Keep final assets, titles, identifiers, contributor and ownership records, agreements, delivery history and statements.
How often should I review it?
Review after each release and at regular intervals appropriate to your catalogue activity.
Related guides
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ISRCs, UPCs and Music Metadata: What Each Identifier Is For
Identifiers are useful operational tools—but they do not replace contracts or copyright records.
Music publishing
How Music Publishing Works for Songwriters and Composers
Understand the work a publishing administrator can do and the information a composition needs.